Hussein Chalayan produced a demi-couture collection for Goga Ashkenazi’sVionnet, where he tried to move the fashion dial forward, and not just revisiting the archives.
Chalayan chose industrial design as a starting point. Spiral staircases, furniture, electric wires—it was all laid out on a mood board at a preview. In the past, his conceptual approach extended his reach. Here, the “melting shelves” idea he used to create sculptural shapes fell a bit flat. Meanwhile, dresses in a print and embroidery motif derived from patternmakers’ toiles—”a comment on dressmaking itself,” he called it—looked stiff.